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The goal of the Qianzu --focus on the mahogany modernization, for you to create an elegant, noble, classical and modern integration of the art of the home, to enhance the cultural life.

   The essence of Chinese furniture culture is extracted, supplemented by the techniques of modern design, and the traditional connotation and modern thinking are combined with ingenuity to create a unique craft

   Change furniture expensive not to be equal to exalted, elegance is not noble place to have, the home of a high savour, come from the harmony that the bedroom decorates, cultural savour is decorous.The development of qiandu can not be separated from the national friends and consumers of all sides of the support and love, whether now or in the future, qiandu and the majority of business friends and consumers, for a common goal and close to each other

    Thousands of years of deep charm, in respect of Chinese traditional mahogany furniture culture and art and traditional furniture design concept, technology, etc., on the basis of the interpretation, the application of modern design techniques of expression, aesthetic requirements, ergonomic requirements, space thinking to the traditional furniture culture and art of innovation and extension


Qianzu Culture

1, "humanist spirit" and "people-oriented" at the same time pay equal attention to, at the same time as the basic principle of furniture design: in respect of "humanist spirit" at the same time according to the requirements of human engineering, in the furniture design requires "humanist spirit and comfortable enjoyment at the same time".It not only emphasizes the spiritual pursuit, but also the pure material enjoyment.Maintain the original extension and connotation, and do four sense four very comfortable.

2. Take the shaping of cultural emotional elements as the basic means of expression: inherit and develop the traditional cultural symbols originated from the furniture design and decoration elements, continuously convey the original national culture through such a concrete object as furniture, and maintain the subtle influence of this culture on people.There are a lot of furniture cultural symbols that can be used for reference, such as the palace, the folk, the literati and the countryside, which have different cultural attributes. The clearer this cultural symbol is, the stronger the emotional factors of the touch.

3, attention to the harmony of the bedroom, aesthetic requirements of The Times: with The Times, according to the modern living, aesthetic requirements of The Times, the integration of classical charm and modern fashion, is the traditional mahogany furniture innovation and exhibition of a basic direction.

4, adhere to the Ming style of furniture design style, emphasis on the structure, less decoration, restructuring physical examination simple, heavy, light luxury and grace.

5. Maintain the traditional excellent technology, especially the mortise and tenon structure and the wax or raw paint process.

Qianzu brand culture

Style

The theme is clear/the style is novel

With the development history of Chinese furniture as the basic vein, qianzu highlights the production background, genre origin, style characteristics and brilliant achievements of qiandu furniture.And with qianfu as the furniture theme content, show the basic appearance of Chinese furniture in each period.。







蘇式家具风格

典雅的人文气息---好古风雅之情是苏式家具造型之美的丰富底蕴;精到周祥的设计意匠体现了文人造物的美学尺度;书画诗文的情怀意境使苏式家具获得了精神升华。

质朴的乡土风味---源于土生土长的江南乡土文化这一根基,正是江南水乡清新绮丽的自然环境、淡泊淳朴的习俗民风从而使苏式家具带来了浓郁的乡土气息。

装饰风格的时代性---以线造型是苏式家具的特殊艺术语言;装饰纹祥是悠久的传统和吉祥寓意。

苏式家具与广式家具与京式家具---苏式家具把盛名的“明式”风格推上了历史的前沿,同时在相当长的一个历史阶段,保持了这一伟大的传统,这是苏式家具辉煌的岁月,入清后苏式家具改良中不断出现新面貌,并受到广式和京式家具风格的影响,发生了各种变体,使苏式家具形成了许多新的形制和式样,但它没有象广式和京式家具一样,成为一代清式的典范

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